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  • The New Economy of Originality Article · Aug 7, 2026 · intendle Editors By intendle Business Desk | Updated: August 5, 2026
  • When the Medium Is Alive Article · Aug 7, 2026 · intendle Editors A sculpture made from stone can crack. A photograph can fade. A film can become unreadable when its format disappears. Living material introduces a different condition: it can grow, metabolize, mutate, reproduce, contaminate, die or enter into relations its maker did not predict.
  • Art Beyond the Screen Article · Aug 7, 2026 · intendle Editors The most persuasive virtual museum of recent years does not begin by pretending that nothing has been lost. UNESCO's Virtual Museum of Stolen Cultural Objects was created around absence. Its digital galleries present cultural objects reported stolen or missing by member states, alongside historical
  • The Machine in the Studio Article · Aug 7, 2026 · intendle Editors A robot can repeat a movement with a consistency that exceeds the human hand. That fact made industrial automation powerful, but it does not explain why artists have become interested in robots. Repetition alone is rarely the point. The more consequential work begins when a machine encounters resist
  • The Signature After the Image Article · Aug 7, 2026 · intendle Editors A signature on a painting occupies the same physical surface as the work. It may be forged, added later or misread, but it remains visible as part of the object. Digital art has never possessed an equivalent that is both durable and widely legible. A file can be duplicated without apparent loss. Met
  • The Artist After Automation Article · Aug 7, 2026 · intendle Editors At first, generative artificial intelligence entered public culture as a spectacle of immediacy. A sentence became an image. A fragment of melody became an arrangement. A rough instruction became a moving sequence, a voice or a polished text. The dramatic fact seemed to be speed.

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